Click any of the store links below and you’ll support All About Jazz in the process. Why Do We Collect Music? Sign in or sign up to create or claim your musician profile page. And now, a moment of praise for clarity, that underappreciated and fast-vanishing attribute of conversation. August 1, 1: At the end of that track, Davis can be heard addressing producer Alfred Lion , saying “is that what you wanted, Alfred? His clear lines create a common understanding that spreads across the bandstand, slyly shaping the entire performance.

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Both horn players are at their peak of lyrical invention, crafting gorgeous, eelse blues lines on the title tune and “One for Daddy-O,” as the rhythm team Hank JonesSam JonesArt Blakey creates a taut, focused groove eelse Hank Jones ‘ sly, intuitive orchestrations are studies of harmonic understatement.

Retrieved from ” https: By using this site, you agree to the Terms of Use and Privacy Policy. Search Photos by photo cannonball adderley somethin else.

Cannonball is a musician who can play a whole lot of addfrley and so will put together very complex phrases. Hank Jones, too, is a very underappreciated Hall of Fame pianist.


Jazz started here, in a manner of speaking. In this scene, clarity was prized. Password Reset your password. It included a bonus track entitled “Bangoon” or, originally and incorrectly, “Alison’s Uncle,” composed by pianist Hank Jones.

Julian “Cannonball” Adderley: Cannonball Adderley: Somethin’ Else – 1958

Arthur SchwartzHoward Dietz. That’s the title tune from the album Somethin’ Else and that wonderful conversation between Miles Davis on trumpet and Cannonball Adderley on alto sax. For Pros Sign in or sign up to upload and share your publicity or live event photos.

Not a tune on it that’s a throwaway. And you don’t fool adderleu in that band. Yemen Yugoslavia Zaire Zambia Zimbabwe. The Penguin Guide to Jazz Recordings. Jazz Near You Partners. The theme of the title cannonball adderley somethin else is an extended call-and-response volley between Davis and Adderley, but as it evolves, the rhythm section participates in the interaction.

CANNONBALL ADDERLEY “SOMETHIN’ ELSE” | Spotlight | Blue Note Records

Something Personal — by Marc Davis Published: Voting takes seconds so please participate! Adderley begins his solo from deep inside a noodlebowl of notes, and then changes course, carving sometnin ideas that are much more disciplined. Jazz Latin New Age. The Penguin Guide to Jazz 8th ed. The Remixes Evolution of the Groove. He darts around, surfing the shadows, and somehow maintains vital connection with the steady cadences of the tune.


Email address It will remain private. Help us identify the world’s top jazz venues. But they don’t stand out in the sense of the kind of adderlsy of great music that we look for in this collection. Live Reviews Edgefest Even in the most abstract of arts, clarity matters. And then listen as bassist Sam Jones and drummer Art Blakey seize some of those stone-simple pianistic rejoinders and transform so,ethin into fuel cannonball adderley somethin else further agitation.

This is the band that made Kind of Blue.

It is a marvelous record. We sent a confirmation message to.

Art Blakey – drums. Rethinking Jazz Cultures Francesco Martinelli: