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More or less, almost ten years have passed since “Sister Age”. I think that in this day and age mainstream culture and “underground” culture do not really have a clear-cut boundary – as both are active and unchallenging players in the current digital-information age we live in. Do you think the electronic music technology and the use of it have moved forward, have been handled better since then? This question begs me to be self congratulatory – the press in general are bound up with the aforementioned conditions, so I am often just lumped in as an 80’s revivalist. When you look back to your career with all its highs and lows, can you imagine having done things differently? In your opinion, what is so special about this quite new label from Canada? This blurring of the lines between the personal and the critical becomes even more integrated when considering the mechanics of the analogue synthesizer – as a tool instrument that is rooted in the pre-digital age, it has no parallels with popular digital media or one could even go so far as to say military technology , it’s boundaries are fixed in time, often forgotten time, and its mechanics are completely elemental, almost biological.
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What kind of emotions underlie beneath these coldwave or dark wave sounds? I love the live show aspect of the project, so to be able to martial canterel this every night in martial canterel different city is extremely exciting, albeit, slightly backbreaking carrying kg of gear through train stations and airports.
As a teen in the late 80s, early 90s I listened to the typical range of gothic rock, industrial, shoegaze, experimental electronics Is it more fate or choice? Electric Voice Records has just released Martial Canterel’s ” Navigations Martial canterel I “, a collection of sketches and unreleased rarities, to mark the ten year anniversary of the project. A piece is done when I feel the performance of the piece was acted out well. These conditions seem practically insurmountable, pervading all aspects of culture, of our lives.
Navigations Volume I by Martial Canterel.
Music | Martial Canterel
Secret Thirteen Interview – Martial Canterel
Ok No Read more. I feel, that for the first time since maybe there have been breakthroughs with analogue instrument technology, and this is extremely exciting, especially as many items of interest have been made martial canterel lightweight, more portable, and more affordable.
It’s like the walk through the haunted, yet beautiful mansion full of traces of gloomy past. And with this there is a hyper-horizontalization of culture – there can be no mastery, no craft, no learning process, only the repeatable, playback-able, and easily framed configuration of pre-existing models – already stored, already formatted, already ready.
In some ways, perhaps canteeel ABCs or s of electronic music. martial canterel
More or less, almost ten years have passed since “Sister Age”. Do you feel that any of cajterel records have been overlooked? You are touring across the globe a lot.
I do admire some of the early minimalism of the American composers, however I feel martial canterel relationship with it canherel, as it is perhaps too opiated, too inactive. Did you have any input in compiling the album or did Electric Voice Records fully controlled the process? What do you think, where is the limit between creative independence and being producer’s marionette? My work exists within a sort of personal continuum, a process of learning, experimenting, but most importantly, and this sounds trite, a means of expression.
However I am typically engaged in cantefel own work – so I listen mostly to my own work In your opinion, what is so special about this quite new label from Canada?
The last great thing I watched was Miss Marple’s margial Nemesis “. Tell us your insights on essential factors. How will music be like in the next century? martial canterel
MARTIAL CANTEREL | URSSS | mistake television
More importantly we share a spirited disenchantment with the culture of music, culture at large. Do you have your favourite instruments martiwl devices? Or maybe it has some advantages? With this said, any objective perspective on the future of music is impossible – I prefer to work within a self-organized vacuum – my previous work being the influence of the subsequent.
Thus, having Sean answering our questions was martjal an excitement martial canterel it was really interesting to know some more details behind the stage. Your last insights for Secret Thirteen readers, please share everything that was not asked in martial canterel questions.